Celebrity Deaths

[LWM]

Actor Tony Curtis dies at Las Vegas home (AP)
Source: AP Thu Sep 30, 2010, 6:35 am EDT



Actor Tony Curtis is shown in this file photo. Curtis, whose real name was Bernard Schwartz, was perhaps most known for his comedic turn in Billy Wilder's 'Some Like It Hot' with co-stars Marilyn Monroe and Jack Lemmon has died at 85 according to the Clark County, Nev. coroner. (AP Photo, File)

HENDERSON, Nev. - Tony Curtis shaped himself from a 1950s movie heartthrob into a respected actor, showing a determined streak that served him well in such films as "Sweet Smell of Success," "The Defiant Ones" and "Some Like It Hot."

The Oscar-nominated actor died at age 85 Wednesday evening of cardiac arrest at his home in the Las Vegas-area city of Henderson, Clark County Coroner Mike Murphy said Thursday.

Curtis began in acting with frivolous movies that exploited his handsome physique and appealing personality, but then steadily moved to more substantial roles, starting in 1957 in the harrowing show business tale "Sweet Smell of Success."

In 1958, "The Defiant Ones" brought him an Academy Award nomination as best actor for his portrayal of a white racist who escaped from prison handcuffed to a black man, Sidney Poitier. The following year, he donned women's clothing and sparred with Marilyn Monroe in one of the most acclaimed film comedies ever, Billy Wilder's "Some Like It Hot."

His first wife was actress Janet Leigh of "Psycho" fame; actress Jamie Lee Curtis is their daughter.

"My father leaves behind a legacy of great performances in movies and in his paintings and assemblages," Jamie Lee Curtis said in a statement Thursday. "He leaves behind children and their families who loved him and respected him and a wife and in-laws who were devoted to him. He also leaves behind fans all over the world."

Curtis struggled against drug and alcohol abuse as starring roles became fewer, but then bounced back in film and television as a character actor.

His brash optimism returned, and he allowed his once-shiny black hair to turn silver.

Again he came back after even those opportunities began to wane, reinventing himself as a writer and painter whose canvasses sold for as much as $20,000.

"I'm not ready to settle down like an elderly Jewish gentleman, sitting on a bench and leaning on a cane," he said at 60. "I've got a helluva lot of living to do."

"He was a fine actor ... I shall miss him," said British actor Roger Moore, who starred alongside Curtis in TV's "The Persuaders."

"He was great fun to work with, a great sense of humor and wonderful ad libs," Moore told Sky News. "We had the best of times."

Curtis perfected his craft in forgettable films such as "Francis," "I Was a Shoplifter," "No Room for the Groom" and "Son of Ali Baba."

He first attracted critical notice as Sidney Falco, the press agent seeking favor with a sadistic columnist, played by Burt Lancaster, in the 1957 classic "Sweet Smell of Success."

In her book "Kiss Kiss Bang Bang," Pauline Kael wrote that in the film, "Curtis grew up into an actor and gave the best performance of his career."

Other prestigious films followed: Stanley Kubrick's "Spartacus," "Captain Newman, M.D.," "The Vikings," "Kings Go Forth," "Operation Petticoat" and "Some Like It Hot." He also found time to do a voice acting gig as his prehistoric lookalike, Stony Curtis, in an episode of "The Flintstones."

"The Defiant Ones" remained his only Oscar-nominated role.

"I think it has nothing to do with good performances or bad performances," he told The Washington Post in 2002. "After the number of movies I made where I thought there should be some acknowledgment, there was nothing from the Academy."

"My happiness and privilege is that my audience around the world is supportive of me, so I don't need the Academy."

In 2000, an American Film Institute survey of the funniest films in history ranked "Some Like It Hot" at No. 1. Curtis — famously imitating Cary Grant's accent — and Jack Lemmon play jazz musicians who dress up as women to escape retribution after witnessing a gangland massacre.

Monroe was their co-star, and he and Lemmon were repeatedly kept waiting as Monroe lingered in her dressing room out of fear and insecurity. Curtis fumed over her unprofessionalism. When someone remarked that it must be thrilling to kiss Monroe in the film's love scenes, the actor snapped, "It's like kissing Hitler." In later years, his opinion of Monroe softened, and in interviews he praised her unique talent.

In 2002, Curtis toured in "Some Like It Hot" — a revised and retitled version of the 1972 Broadway musical "Sugar," which was based on the film. In the touring show, the actor graduated to the role of Osgood Fielding III, the part played in the movie by Joe E. Brown.

After his star faded in the late 1960s, Curtis shifted to lesser roles. With jobs harder to find, he fell into drug and alcohol addiction.

"From 22 to about 37, I was lucky," Curtis told Interview magazine in the 1980s, "but by the middle '60s, I wasn't getting the kind of parts I wanted, and it kind of soured me. ... But I had to go through the drug inundation before I was able to come to grips with it and realize that it had nothing to do with me, that people weren't picking on me."

He recovered in the early '80s after a 30-day treatment at the Betty Ford Center in Rancho Mirage, Calif.

"Mine was a textbook case," he said in a 1985 interview. "My life had become unmanageable because of booze and dope. Work became a strain and a struggle. Because I didn't want to face the challenge, I simply made myself unavailable."

One role during that era of struggle did bring him an Emmy nomination: his portrayal of David O. Selznick in the TV movie "The Scarlett O'Hara War," in 1980.

He remained vigorous following heart bypass surgery in 1994, although his health declined in recent years.

In a 2007 interview with the Las Vegas Sun, he described his frustration during a lengthy hospitalization for a bout with pneumonia in 2006. The Las Vegas Review-Journal reported he was hospitalized several times in more recent years in Henderson and New York with breathing trouble, including once in July.

Curtis took a fatherly pride in daughter Jamie's success. They were estranged for a long period, then reconciled. "I understand him better now," she said, "perhaps not as a father but as a man."

He also had five other children. Daughters Kelly, also with Leigh, and Allegra, with second wife Christine Kaufmann, also became actresses. His other wives were Leslie Allen, Lisa Deutsch and Jill VandenBerg, whom he married in 1998.

He had married Janet Leigh in 1951, when they were both rising young stars; they divorced in 1963.

"Tony and I had a wonderful time together; it was an exciting, glamorous period in Hollywood," Leigh, who died in 2004, once said. "A lot of great things happened, most of all, two beautiful children."

Curtis was born Bernard Schwartz in the Bronx in 1925, the son of Hungarian Jews who had emigrated to the United States after World War I. His father, Manny Schwartz, had yearned to be an actor, but work was hard to find with his heavy accent. He settled for tailoring jobs, moving the family repeatedly as he sought work.

"I was always the new kid on the block, so I got beat up by the other kids," Curtis recalled in 1959. "I had to figure a way to avoid getting my nose broken. So I became the crazy new kid on the block."

His sidewalk histrionics helped avoid beatings and led to acting in plays at a settlement house. He also grew to love movies. "My whole culture as a boy was movies," he said. "For 11 cents, you could sit in the front row of a theater for 10 hours, which I did constantly."

After serving in the Pacific during World War II and being wounded at Guam, he returned to New York and studied acting under the G.I. Bill. He appeared in summer stock theater and on the Borscht Circuit in the Catskills. Then an agent lined up an audition with a Universal-International talent scout. In 1948, at 23, he signed a seven-year contract with the studio, starting at $100 a week.

Bernie Schwartz sounded too Jewish for a movie actor, so the studio gave him a new name: Anthony Curtis, taken from his favorite novel, "Anthony Adverse," and the Anglicized name of a favorite uncle. After his eighth film, he became Tony Curtis.

The studio helped smooth the rough edges off the ambitious young actor. The last to go was his street-tinged Bronx accent, which had become a Hollywood joke.

Curtis pursued another career as an artist, creating Matisse-like still lifes with astonishing speed. "I'm a recovering alcoholic," he said in 1990 as he concluded a painting in 40 minutes in the garden of the Bel-Air Hotel. "Painting has given me such a great pleasure in life, helped me to recover."

He also turned to writing, producing a 1977 novel, "Kid Cody and Julie Sparrow." In 1993, he wrote "Tony Curtis: The Autobiography."

[LWM]

Barbara Billingsley, Beaver Cleaver's TV mom, dies (October 17th, 2010 @ 4:00am)
By CHRISTOPHER WEBER Associated Press

LOS ANGELES (AP) - The affection people had for "Leave it to Beaver" many years after the series ended was a source of both surprise and satisfaction for Barbara Billingsley, who endeared herself to TV viewers with her gentle portrayal of the mother of Beaver and Wally.

"We knew we were making a good show, because it was so well written," Billingsley once said. "But we had no idea what was ahead. People still talk about it and write letters, telling how much they watch it today with their children and grandchildren."

The 94-year-old Billingsley, who played June Cleaver in the 1950s-1960s television series, died Saturday after a long illness at her home in Santa Monica, said family spokeswoman Judy Twersky.

When the show debuted in 1957, Jerry Mathers, who played Beaver, was 9, and Tony Dow, who portrayed Wally, was 12. Billingsley's character, the perfect stay-at-home mom, was always there to gently but firmly nurture both through the ups and downs of childhood.

Beaver, meanwhile, was a typical boy whose adventures landed him in one comical crisis after another.

Billingsley's own two sons said she was pretty much the image of June Cleaver in real life, although the actress disagreed.

"She was every bit as nurturing, classy, and lovely as 'June Cleaver,' and we were so proud to share her with the world," her son Glenn Billingsley said Saturday.

She did acknowledge that she may have become more like June as the series progressed.

"I think what happens is that the writers start writing about you as well as the character they created," she once said. "So you become sort of all mixed up, I think."

A wholesome beauty with a lithe figure, Billingsley began acting in her elementary school's plays and soon discovered she wanted to do nothing else.

Although her beauty and figure won her numerous roles in movies from the mid-1940s to the mid-1950s, she failed to obtain star status until "Leave it to Beaver," a show that she almost passed on.

"I was going to do another series with Buddy Ebsen for the same producers, but somehow it didn't materialize," she told The Associated Press in 1994. "A couple of months later I got a call to go to the studio to do this pilot show. And it was 'Beaver.'"

After "Leave it to Beaver" left the air in 1963 Billingsley largely disappeared from public view for several years.

She resurfaced in 1980 in a hilarious cameo in "Airplane!" playing a demure elderly passenger not unlike June Cleaver.

When flight attendants were unable to communicate with a pair of jive-talking hipsters, Billingsley's character volunteered to translate, saying "I speak jive." The three then engage in a raucous street-slang conversation.

"No chance they would have cast me for that if I hadn't been June Cleaver," she once said.

She returned as June Cleaver in a 1983 TV movie, "Still the Beaver," that costarred Mathers and Dow and portrayed a much darker side of Beaver's life.

In his mid-30s, Beaver was unemployed, unable to communicate with his own sons and going through a divorce. Wally, a successful lawyer, was handling the divorce, and June was at a loss to help her son through the transition.

"Ward, what would you do?" she asked at the site of her husband's grave. (Hugh Beaumont, who played Ward Cleaver, had died in 1982.)

The movie revived interest in the Cleaver family, and the Disney Channel launched "The New Leave It to Beaver" in 1985.

The series took a more hopeful view of the Cleavers, with Beaver winning custody of his two sons and all three moving in with June.

In 1997 Universal made a "Leave it to Beaver" theatrical film with a new generation of actors. Billingsley returned for a cameo, however, as Aunt Martha.

"America's favorite mother is now gone," Dow said in a statement Saturday. "I feel very fortunate to have been her "son" for 11 years. We were wonderful friends and I will miss her very much."

In later years she appeared from time to time in such TV series as "Murphy Brown," "Empty Nest" and "Baby Boom" and had a memorable comic turn opposite fellow TV moms June Lockhart of "Lassie" and Isabel Sanford of "The Jeffersons" on the "Roseanne" show.

"Now some people, they just associate you with that one role (June Cleaver), and it makes it hard to do other things," she once said. "But as far as I'm concerned, it's been an honor."

In real life, fate was not as gentle to Billingsley as it had been to June and her family.

Born Barbara Lillian Combes in Los Angeles on Dec. 22, 1915, she was raised by her mother after her parents divorced. She and her first husband, Glenn Billingsley, divorced when her sons were just 2 and 4.

Her second husband, director Roy Kellino, died of a heart attack after three years of marriage and just months before she landed the "Leave it to Beaver" role.

She married physician Bill Mortenson in 1959 and they remained wed until his death in 1981.

Twersky said Billingsley's survivors include her sons, a stepson and numerous grandchildren.

[LWM]

'Happy Days' dad Tom Bosley dead at 83 (October 19th, 2010 @ 12:34pm)



In this undated film publicity image released by CBS Films, Tom Bosley is shown in a scene from, 'The Back-Up Plan.' (AP Photo/CBS Films, Peter Lovino, file)

By BOB THOMAS - Associated Press Writer

LOS ANGELES (AP) - Tom Bosley, whose long acting career was highlighted by his hugely popular role as the understanding father on television's nostalgic, top-rated 1970s comedy series "Happy Days," died Tuesday. He was 83.

Bosley died of heart failure at a hospital near his Palm Springs home. Bosley's agent, Sheryl Abrams, said he was also battling lung cancer.

TV Guide ranked Bosley's Happy Days character No. 9 on its list of the "50 Greatest TV Dads of All Time" in 2004. The show debuted in 1974 and ran for 11 seasons.

After "Happy Days" ended, Bosley went on to a recurring role in "Murder, She Wrote" as Sheriff Amos Tucker. He also was the crime-solving priest in television's "The Father Dowling Mysteries," which ran from 1989 to 1991.

When he was first offered the costarring role in "Happy Days," a series about teenage life in the 1950s, he turned it down.

"After rereading the pilot script," he recalled in a 1986 interview, "I changed my mind because of a scene between Howard Cunningham and Richie. The father/son situation was written so movingly, I fell in love with the project."

Propelled by the nation's nostalgia for the simple pleasures of the 1950s, "Happy Days," which debuted in 1974, slowly built to hit status, becoming television's top-rated series by its third season.

It made a star of Henry Winkler, who played hip-talking, motorcycle-riding hoodlum Arthur "Fonzi" Fonzarelli. His image initially clashed with that of Richie and his "straight" friends. But over the show's 11-season run Fonzarelli would transform himself from high school dropout to successful businessman.

After "Happy Days" ended, Bosley went on to a recurring role in "Murder, She Wrote" as Sheriff Amos Tucker, who was often outsmarted by Angela Lansbury's mystery writer, Jessica Fletcher.

His own series, "The Father Dowling Mysteries," ran from 1989 to 1991. The avuncular Father Frank Dowling was assisted in his detective work by nun Sister Steve, played by Tracy Nelson.

Although "Happy Days" brought him his widest fame, Bosley had made his mark on Broadway 15 years before when he turned in a Tony Award-winning performance in the title role in "Fiorello!" He also was the crime-solving priest in television's "The Father Dowling Mysteries."

His Broadway triumph depicted the life of New York's colorful reformist mayor of the 1930s and '40s, Fiorello La Guardia.

For two years, Bosley stopped the show every night when he sang in several languages, depicting La Guardia during the years the future mayor worked at New York's Ellis Island, aiding arriving immigrants.

The play won a Pulitzer Prize and Bosley received the Tony for best actor in a musical.

After failing to duplicate his success in "Fiorello!," Bosley moved to Hollywood in 1968. He would not return to Broadway until 1994 when he originated the role of Belle's father in Disney's production of "Beauty and the Beast."

In Hollywood, the rotund character actor found steady work appearing in the occasional movie and as a regular on weekly TV shows starring Debbie Reynolds, Dean Martin, Sandy Duncan and others.

During the 1990s, Bosley toured in "Beauty and the Beast" and "Show Boat," playing Captain Andy in the latter.

Bosley made only a handful of theatrical movies. Among them: "Love With the Proper Stranger," "Divorce American Style," "The Secret War of Henry Frigg," "Yours, Mine and Ours."

Born in Chicago in 1927, Bosley served in the Navy before returning to his hometown to study at De Paul University. Intrigued with acting, he enrolled at the Radio Institute of Chicago and began appearing in radio dramas. He made his theatrical debut in a production of "Golden Boy."

After moving to New York, he studied at the Actors Studio under Lee Strasberg.

After making his off-Broadway debut in "Thieves Highway" in 1955, he struggled to find other acting jobs, supporting himself as a temporary office worker, a doorman at Central Park's Tavern on the Green and a hat checker at Lindy's deli.

Then came "Fiorello!" in 1959.

Bosley married dancer Jean Eliot in 1962 and the couple had one child, Amy. Two years after his wife's death in 1978, Bosley married actress-producer Patricia Carr, who had three daughters from a previous marriage.

[powerslave1966]

James Wall "Mr. Baxter" from Captain Kangaroo dead at 92

[LWM]

Jill Clayburgh, whose Broadway and Hollywood acting career stretched through the decades, highlighted by her Oscar-nominated portrayal of a divorcee exploring her sexuality in the 1978 film An Unmarried Woman, died Friday. She was 66.
Her husband, Tony Award-winning playwright David Rabe, said she died after a 21-year battle with chronic lymphocytic leukemia. She was surrounded by her family and brother when she died at her home in Lakeville, Conn., he said.

She dealt with the disease courageously, quietly and privately, Rabe said, and conducted herself with enormous grace "and made it into an opportunity for her children to grow and be human."

Clayburgh came from a privileged New York family. Her father was vice president of two large companies, and her mother was a secretary for Broadway producer David Merrick. Her grandmother, Alma Clayburgh, was an opera singer and New York socialite.

Growing up in a such a rich cultural mix, she could easily have been overwhelmed. Instead, as she said in interviews, she asserted herself with willful and destructive behavior — so much so that her parents took her to a psychiatrist when she was 9.

She escaped into a fantasy world of her own devising. She was entranced by seeing Jean Arthur play "Peter Pan" on Broadway, and she and a school chum concocted their own dramatics every day at home. She became serious-minded at Sarah Lawrence College, concentrating on religion, philosophy and literature.

Clayburgh also took drama classes at Sarah Lawrence. She and her friend Robert De Niro acted in a film, The Wedding Party, directed by a Sarah Lawrence graduate, Brian DePalma. After graduating with a bachelor of arts degree, she began performing in repertory and in Broadway musicals such as The Rothschilds and Pippin.

Alongside Richard Thomas, she headed the 2005 Broadway cast of A Naked Girl on the Appian Way, Richard Greenberg's comedy about one family's unusual domestic tribulations.

Director Doug Hughes, who directed her in a production of Arthur Miller's All My Sons at the Westport Country Playhouse two years ago, called her for Naked Girl.

"That she has the time to do a run of a play is just an extraordinary boon because I've had the pleasure of seeing her play a bona fide tragic American role beautifully, and I have had the pleasure of directing her in a very, very smart light comedy and be utterly brilliant in that," he said in 2005.

During an interview that year, Clayburgh explained the unglamorous side of acting.

"One of the funny things about actors is that people look at their careers in retrospect, as if they have a plan," she said.

"Mostly, you just get a call. You're just sitting there going, 'Oh, my God. I'm never going to work again. Oh, God. I'm too old. Maybe I should go and work for Howard Dean.' And then it changes."

Besides appearing in such movies as I'm Dancing As Fast As I Can, Silver Streak and Running With Scissors, Clayburgh's Broadway credits include Noel Coward's Design for Living, the original production of Tom Stoppard's Jumpers, and the Tony Award-winning musicals Pippin and The Rothschilds.

Clayburgh was also nominated for an Academy Award for Starting Over, a comedy about a divorced man, played by Burt Reynolds, who falls in love but can't get over his ex-wife. She appeared on TV shows including Dirty Sexy Money and was nominated for two Emmys: for best actress in 1975 for her work on Hustling and for her guest turn on Nip/Tuck on FX in 2005.

She is survived by three children, including actress Lily Rabe, Michael Rabe and stepson Jason Rabe.

There will be no funeral, Rabe said. The family will have a memorial in about six months, though plans have not been finalized.

[LWM]

Artist Jack Levine dies at NYC home at age 95 (November 9th, 2010 @ 10:53am)



This undated photo provided by the DC Moore Gallery shows painter Jack Levine in New York in December 1988. Levine, a social realist artist known for skewering the rich and powerful, died at his home in New York on Monday, Nov. 8, 2010. He was 95. (AP Photo/DC Moore Gallery, Virginia Schendler)

By KAREN MATTHEWS Associated Press

NEW YORK (AP) - The social realist artist Jack Levine, who skewered the rich and powerful in paintings that echoed Old Masters like Goya and El Greco stylistically, has died. He was 95.

Levine's son-in-law, Leonard Fisher, said the artist died Monday at his New York City home.

Levine's works are in the collections of major museums including the Art Institute of Chicago, New York's Museum of Modern Art and Metropolitan Museum of Art, and the National Gallery of Art in Washington.

Born in Boston in 1915, Levine found work as a young man with the federal Works Progress Administration. He achieved wide recognition when his 1937 painting "The Feast of Pure Reason," a critique of political corruption, was acquired by the Museum of Modern Art.

Levine's career was interrupted by a stint in the Army from 1942 to 1945. After the war he married artist Ruth Gikow and moved to New York.

His 1946 painting "Welcome Home," a satire of military power, generated controversy when it was later shown in a State Department exhibition that traveled to Moscow.

Levine was subpoenaed to appear before the House Un-American Activities Committee, though he has said that in the end he never did.

Levine remained a figurative painter throughout his career and fell out of fashion with the ascendance of abstraction at mid-century.

"I love the Old Masters," he said in 2005. "I don't care for anybody modern. ... I want to paint with the dead ones."

In a 2004 essay in New York magazine, writer Pete Hamill said Levine was a man of the left but never an ideologue.

"He knew what side he was on and what he wanted to put in his paintings," Hamill said. "But he expressed his vision; he did not illustrate it."

Levine's work encompassed Biblical themes in addition to political commentary. His "Cain and Abel" was acquired by the Vatican in 1973.

He was the subject of a 1979 retrospective at New York City's Jewish Museum and continued to work through the 1990s.

Levine is survived by his daughter, Susanna Fisher, his son-in-law and two grandchildren.

"I am primarily concerned with the condition of man," he said in 1952. "The satirical direction I have chosen is an indication of my disappointment in man, which is the opposite of saying that I have high expectations for the human race."

[cico7]

STATE COLLEGE, Pa. -- Joe Paterno, the longtime Penn State coach who won more games than anyone in major college football but was fired amid a child sex abuse scandal that scarred his reputation for winning with integrity, died Sunday of lung cancer. He was 85.

His family released a statement Sunday morning to announce his death: "His loss leaves a void in our lives that will never be filled."

"He died as he lived," the statement said. "He fought hard until the end, stayed positive, thought only of others and constantly reminded everyone of how blessed his life had been. His ambitions were far reaching, but he never believed he had to leave this Happy Valley to achieve them. He was a man devoted to his family, his university, his players and his community."

The Pennsylvania hospital where Paterno died confirmed the cause of death as a spreading lung cancer.

Mount Nittany Medical Center said in a statement that Paterno died at 9:25 a.m. Sunday of "metastatic small cell carcinoma of the lung." Metastatic indicates an illness that has spread from one part of the body to an unrelated area.

The hospital said Paterno was surrounded by family members, who have requested privacy.

Paterno's son had said in November that his father had been diagnosed with a treatable form of lung cancer during a follow-up visit for a bronchial illness.

[DetroitMarauder]

One of our Sweathogs really is missing now.

Robert Hegyes, best known for playing Juan Epstein—one of Gabe Kaplan 's "star" pupils—in Welcome Back, Kotter, died this morning after an apparent heart attack, according to New Jersey's Star Ledger. He was 60.

[LWM]

Ron Palillo, Horshack on 'Welcome Back, Kotter,' dies at 63
Aug. 14, 2012, 2:41 PM EST

WEST PALM BEACH, Fla. (AP) -- Ron Palillo, the actor best known as the nerdy high school student Arnold Horshack on the 1970s sitcom "Welcome Back, Kotter," died Tuesday in Palm Beach Gardens, Fla. He was 63.

Palillo could not be revived after suffering an apparent heart attack at his home about 4 a.m., said Karen Poindexter, a close friend of the actor. He was pronounced dead at Palm Beach Gardens Medical Center.

Bing: 'Welcome Back, Kotter' clips

Palillo was inextricably linked to the character he played from 1975 to 1979 on "Kotter," the ABC sitcom, in which the title character returns to his Brooklyn alma mater to a group of loveable wiseguys known as the Sweathogs. Horshack was the nasally teen who yelped, "Oooh, oooh," as his hand shot skyward when a teacher posed a question.

Though the show was a ratings success, and propelled co-star John Travolta to stardom, the series only lasted as long as a high school education. For Palillo, its end brought difficulty.

He said he felt exiled throughout the 1980s, unable to find parts, sinking into depression, and rarely venturing from his apartment. When offers did come, he felt typecast as Horshack.

"While I loved him, I really loved him, I didn't want to do him forever," he told the Birmingham News in 1994.

Remembering Ron Palillo: Share your thoughts on Facebook

Palillo was born April 2, 1949, in Cheshire, Conn. His father died of lung cancer when he was 10 and he developed a stutter. His mother thought getting him involved in a local theater might help. He fell in love with the stage. He attended the University of Connecticut and earned parts in Shakespearean productions before his big break.

http://www.google.com/imgres?num=10&...9,r:0,s:0,i:77

When he auditioned for "Kotter," he thought he'd be passed over for others who had more of a tough-guy New York look. His dying father's voice inspired his character's wheezing laugh, he told the News

He is survived by his partner of 41 years, Joseph Gramm, a retired actor.

[LWM]

Country superstar George Jones dead at 81

NASHVILLE, Tenn. (AP) - When it comes to country music, George Jones was The Voice.

Other great singers have come and gone, but this fact remained inviolate until Jones passed away Friday at 81 in a Nashville hospital after a year of ill health.

"Today someone else has become the greatest living singer of traditional country music, but there will never be another George Jones," said Bobby Braddock, the Country Music Hall of Fame songwriter who provided Jones with 29 songs over the decades. "No one in country music has influenced so many other artists."

He did it with that voice. Rich and deep, strong enough to crack like a whip, but supple enough to bring tears. It was so powerful, it made Jones the first thoroughly modern country superstar, complete with the substance abuse problems and rich-and-famous celebrity lifestyle that included mansions, multiple divorces and - to hear one fellow performer tell it - fistfuls of cocaine.

He was a beloved and at times a notorious figure in Nashville and his problems were just as legendary as his songs. But when you dropped the needle on one of his records, all that stuff went away. And you were left with The Voice.

"He just knows how to pull every drop of emotion out of it of the songs if it's an emotional song or if it's a fun song he knows how to make that work," Alan Jackson said in a 2011 interview. "It's rare. He was a big fan of Hank Williams Sr. like me. He tried to sing like Hank in the early days. I've heard early cuts. And the difference is Hank was a singer and he was a great writer, but he didn't have that natural voice like George. Not many people do. That just sets him apart from everybody."

That voice helped Jones achieve No. 1 songs in five separate decades, 1950s to 1990s. And its qualities were admired by more than just his fellow country artists but by Frank Sinatra, Pete Townshend, Elvis Costello, James Taylor and countless others. "If we all could sound like we wanted to, we'd all sound like George Jones," Waylon Jennings once sang.

Word of his death spread Friday morning as his peers paid tribute.

"The greatest voice to ever grace country music will never die," Garth Brooks said in an email to The Associated Press. "Jones has a place in every heart that ever loved any kind of music."

Dolly Parton said, "My heart is absolutely broken. George Jones was my all time favorite singer and one of my favorite people in the world."

Ronnie Dunn added: "The greatest country blues singer to ever live."

In Jones' case, that's not hyperbole. In a career that lasted more than 50 years, "Possum" evolved from young honky-tonker to elder statesman as he recorded more than 150 albums and became the champion and symbol of traditional country music, a well-lined link to his hero, Williams.

Jones survived long battles with alcoholism and drug addiction, brawls, accidents and close encounters with death, including bypass surgery and a tour bus crash that he only avoided by deciding at the last moment to take a plane.

His failure to appear for concerts left him with the nickname "No Show Jones," and he later recorded a song by that name and often opened his shows by singing it. His wild life was revealed in song and in his handsome, troubled face, with its dark, deep-set eyes and dimpled chin.

In song, like life, he was rowdy and regretful, tender and tragic. His hits included the sentimental "Who's Gonna Fill Their Shoes," the foot-tapping "The Race is On," the foot-stomping "I Don't Need Your Rockin' Chair," the melancholy "She Thinks I Still Care," the rockin' "White Lightning," and the barfly lament "Still Doing Time." Jones also recorded several duets with Tammy Wynette, his wife for six years, including "Golden Ring," ''Near You," ''Southern California" and "We're Gonna Hold On." He also sang with such peers as Willie Nelson and Merle Haggard and with Costello and other rock performers.

But his signature song was "He Stopped Loving Her Today," a weeper among weepers about a man who carries his love for a woman to his grave. The 1980 ballad, which Jones was sure would never be a hit, often appears on surveys as the most popular country song of all time and won the Country Music Association's song of the year award an unprecedented two years in a row.

Jones won Grammy awards in 1981 for "He Stopped Loving Her Today" and in 1999 for "Choices." He was elected to the Country Music Hall of Fame in 1992 and in 2008 was among the artists honored in Washington at the Kennedy Center.

He was in the midst of a yearlong farewell tour when he passed away. He was scheduled to complete the tour in November with an all-star packed tribute in Nashville. Stars lined up to sign on to the show, many remembering kindnesses over the years. Kenny Chesney thinks Jones may have one of the greatest voices in not just country history, but music history. But he remembers Jones for more than the voice. He was picked for a tour with Jones and Wynette early in his career and cherishes the memory of being invited to fly home on Jones' private jet after one of the concerts.

"I remember sitting there on that jet, thinking, 'This can't be happening,' because he was George Jones, and I was some kid from nowhere," Chesney said in an email. "I'm sure he knew, but he was generous to kids chasing the dream, and I never forgot it."

Jones was born Sept. 12, 1931, in a log house near the east Texas town of Saratoga, the youngest of eight children. He sang in church and at age 11 began performing for tips on the streets of Beaumont, Texas. His first outing was such a success that listeners tossed him coins, placed a cup by his side and filled it with money. Jones estimated he made more than $24 for his two-hour performance, enough to feed his family for a week, but he used up the cash at a local arcade.

"That was my first time to earn money for singing and my first time to blow it afterward," he recalled in "I Lived to Tell it All," a painfully self-critical memoir published in 1996. "It started what almost became a lifetime trend."

The family lived in a government-subsidized housing project, and his father, a laborer, was an alcoholic who would rouse the children from bed in the middle of the night to sing for him. His father also noted that young George liked music and bought him a Gene Autry guitar, with a horse and lariat on the front that Jones practiced on obsessively.

He got his start on radio with husband and wife team Eddie & Pearl in the late 1940s. Hank Williams once dropped by the studio to promote a new record, and Jones was invited to back him on guitar. When it came time to play, he froze.

"Hank had 'Wedding Bells' out at the time," Jones recalled in a 2003 Associated Press interview. "He started singing it, and I never hit the first note the whole song. I just stared."

After the first of his four marriages failed, he enlisted in the Marine Corps in 1951 and served three years. He cut his first record when he got out, an original fittingly called "No Money in This Deal."

He had his first hit with "Why Baby Why" in 1955, and by the early '60s Jones was one of country music's top stars.

"I sing top songs that fit the hardworking, everyday loving person. That's what country music is about," Jones said in a 1991 AP interview. "My fans and real true country music fans know I'm not a phony. I just sing it the way it is and put feeling in it if I can and try to live the song."

Jones was married to Wynette, his third wife, from 1969 to 1975. (Wynette died in 1998.) Their relationship played out in Nashville like a country song, with hard drinking, fights and reconciliations. Jones' weary knowledge of domestic warfare was immortalized in such classics as "The Battle," set to the martial beat of "The Battle Hymn of the Republic."

After one argument, Jones drove off on a riding mower in search of a drink because Wynette had taken his car keys to keep him from carousing. Years earlier, married to his second wife, he had also sped off on a mower in search of a drink. Jones referred to his mowing days in the 1996 release, "Honky Tonk Song," and poked fun at himself in a Big & Rich video that featured him pulling up to a party aboard a mower.

His drug and alcohol abuse grew worse in the late '70s, and Jones had to file for bankruptcy in 1978. A manager had started him on cocaine, hoping to counteract his boozy, lethargic performances, and Jones was eventually arrested in Jackson, Miss., in 1983 on cocaine possession charges. He agreed to perform a benefit concert and was sentenced to six months probation. In his memoir, "Satan is Real," Charlie Louvin recounts being offered a fistful of cocaine by Jones backstage at a concert.

"In the 1970s, I was drunk the majority of the time," Jones wrote in his memoir. "If you saw me sober, chances are you saw me asleep."

In 1980, a 3-minute song changed his life. His longtime producer, Billy Sherrill, recommended he record "He Stopped Loving Her Today," a ballad by Braddock and Curly Putnam. The song took more than a year to record, partly because Jones couldn't master the melody, which he confused with Kris Kristofferson's "Help Me Make it Through the Night," and partly because he was too drunk to recite a brief, spoken interlude ("She came to see him one last time/And we all wondered if she would/And it kept running through my mind/This time he's over her for good.")

"Pretty simple, eh?" Jones wrote in his memoir. "I couldn't get it. I had been able to sing while drunk all of my life. I'd fooled millions of people. But I could never speak without slurring when drunk. What we needed to complete that song was the narration, but Billy could never catch me sober enough to record four simple spoken lines."

Jones was convinced the song was too "morbid" to catch on. But "He Stopped Loving Her Today," featuring a string section that hummed, then soared, became an instant standard and virtually canonized him. His concert fee jumped from $2,500 a show to $25,000.

"There is a God," he recalled.